“You shake my nerves and you rattle my brain / Too much love drives a man insane”. Covered by countless artists – Peggy Lee, Madonna, Beyoncé, funk don George Clinton, The Doors, you name ’em – Otis Blackwell and Eddie Cooley’s ‘Fever’ was originally recorded, reluctantly, by R&B warbler Little Willie John. Saved by Linda. As legend would have it, this track was penned by Williams about his first wife, but dictated to his second wife, whilst he was driving. ‘Rock Me Baby’ is an essential part of any blues grounding, cropping up in the oeuvre of Jeff Beck and The Animals and on Otis Redding’s 1965 classic ‘Otis Blue’. This is a two-CD, 48-track compilation of, as the no-frills title suggests, songs that were R&B hits in 1950. This article is about the US number-one songs chart from 1950–1958. 1950. These noble, traditional sentiments inspired huge swathes of artists to have a go too, tempting Elvis, The Beatles, Little Richard and – almost certainly definitively – the great Shakin’ Stevens in 1982. New Orleans pianist Antoine ‘Fats’ Domino was a profound influence on later pop idols Elvis Presley and John Lennon, bringing swing to rock’n’roll’s baby steps. King and – well – how much time have you got? It was Diddley’s first ever recording and from day one established the Bo Diddley Beat, a frenetic pattering rhythm that underscored a career and set Buddy Holly and The Rolling Stones on their own rhythmic adventures. That riff, that piano, and that chorus – all packaged into a timeless track about rock ‘n’ roll itself. Where’s it going? 2. It peaked at a modest 59 on the Billboard chart but registered 200,000 sales. The reverend of the double entendre, Little Richard’s portrait of a good time “mama” is unforgettable. 100 best tracks of the ’50s – Spotify playlist, http://link.brightcove.com/services/player/bcpid1483850446001?bckey=AQ~~,AAAAABumiUU~,CmZu1qzq0NyICxn2Vp-nk3_Z6ll_Smhf&bctid=1585785053001. Chess brothers Leonard and Phil also helmed this Chuck Berry number, a riffing, jangling template that Berry would habitually plunder as he struggled to maintain his later career. Smiley Lewis was already in his 40s when he recorded the first version of ‘Blue Monday’, later a hit for fellow New Orleans musician Fats Domino. Reed’s pure voice and persuasive playing had a deep impact on the approaching rock’n’roll boom, particularly The Rolling Stones who covered ‘Honest I Do’ on their 1964 debut album. Vladimir Putin attempted it live last year – every time someone watches that rendition, a cat is tortured somewhere on the globe. One of the unimpeachable dawn-of-rock standards, ‘Lucille’ was a smash on both sides of the Atlantic and has been butchered by artists ranging from hair-metallers Van Halen to rock’n’roll pasticheurs par excellence Mud. If not rock ‘n’ roll’s calling card then a strong contender, this track’s been covered approximately 12,000 times, mostly notably by The Beatles for several years at the start of their career. Don’t be fooled, those Drifters soon became The Shadows, and they work up the dirty thrum behind Cliff’s still-polite but suitably snotty vocal. No. ‘In The Still Of The Night’ enjoys the perhaps tainted honour of being an integral part of the Dirty Dancing soundtrack. However, bands with votes for multiple songs were limited to two tracks each. (Put Another Nickel In) Music! Signed up by Capitol Records in Los Angeles as a quick fix for their lack of Elvis, Gene Vincent made an iconic splash first time out with the sexy, courageously stilted ‘Be-Bop-A-Lula’. Being broke never sounded so good. Sometimes the best songs are the most simple. The list on this page is for all #1 hit R&B singles for 1950 using proprietary methods. McKinley ‘Muddy Waters’ Morganfield wasn’t the first artist to record ‘Got My Mojo Working’ – that accolade goes to gospel singer Ann Cole – but as a blues pioneer his thundering version has set the standard and been covered by Elvis, Etta James, Canvey Island rockers Doctor Feelgood, fellow blues legend B.B. Also credited to his band The Teen Kings just before The Big ‘O’ stepped into the spotlight once and for all, ‘Ooby Dooby’ is a lithe bit of trad rock’n’roll that convinced Sam Phillips to give Orbison his Sun Records break and introduced America to one of its finest pop voices. https://www.youtube.com/watch?v=twQNeIBGntg. Rankings are based on the popularity of each song during the period of 1950 through 1969. Berry’s song follows one such rabid fan over a simple blues riff. Recorded when the remarkable Anka – who also managed to co-write it – was only 15, this perky slice of doo-wop turned into one of the biggest selling singles of all time, apparently shifting nine million units. King to Back To The Future, it was included on the Voyager Golden Record, a selection of discs sent into space to demonstrate the cultural capacity of life on earth. The results in this chart are not affiliated with any mainstream or commercial chart and may not reflect charts seen elsewhere. A meld of baby rock’n’roll and doo-wop, The Cadillacs’ ‘Speedoo’ was so called after their lead singer Earl Carroll’s nickname. Various versions have surfaced in the movies and on TV, sh-booming through Johnny Depp’s Cry-Baby and Patrick Swayze’s Roadhouse as well as appearing in Dennis Potter’s 50s pastiche Lipstick On Your Collar for the BBC.
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