The URSA Mini Pro G2 can be purchased with an EF, PL, F or B4 mount. You can record full sensor 4.6K images up to 120 frames per second, windowed DCI 4K at up to 150 frames per second, and regular windowed 1080 HD at an amazing 300 frames per second. To get to 122 the G1 required an offset of +2 and the G2 required an offset of +1.4. URSA Mini Pro 4.6K G1 vs. G2 at 3 stops underexposure. Added language localisation support. USB-C for Direct Recording to External Disks. firmware update blackmagic upgrade … As a longtime fan of Blackmagic, my ears popped right up this morning when I heard the news of their brand new camera – The URSA Mini Pro 4.6K G2. ACES LUT's for use in a non-ACES environment, Lens Comparisons Anamorphic, Spherical, S35 & FF, All Camera and Lens evaluation from 2000 onwards. ... Cameras: URSA Mini Pro G2, Pocket 6K, & Cinema Camera 2.5K … Now her skin in this is plus 1 stops, but the concrete behind her is probably like +5 or +6 so we should see that blow out pretty soon here. Not that it would make any sense, but here is another image from both cams at 4 1/3 stops of underexposure for your reference: URSA Mini Pro G1 and G2 at 4 1/3 stops underexposure, pushed back to zero using the camera raw tab in DaVinci Resolve. Exposure was set by using false colour to get the mid grey of a Kodak Grey Scale Plus to show green. With it, Blackmagic Design hit the mark of the seventh year in the … Are you shooting with any of the cameras mentioned in this article? The URSA Mini Pro 4.6K G2 shows a strong 12.6 stops dynamic range reading at a signal to noise ratio of 2 – a really good value! Posts: 177; Joined: Mon Mar 18, 2019 4:53 pm; Stereo XLR with Phantom Power 2. 12.6 stops are calculated for a signal to noise ratio of 2. Hi, this is Jay P Morgan and we’re back here with Aizhan to take a look at the Canon C200 vs Blackmagic URSA Mini Pro G2. Camera Setup and color grade:Using waveform monitors, the skin (Johnnie) was exposed to a max. URSA Mini Pro G2 vs RED Scarlet Dragon Side-by-Side Comparison. ISO 800 BRAW constant bitrate 3:1 4.6K scaled to UHD. URSA Mini Pro G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. Then in postproduction using DaVinci Resolve I pushed up the underexposure by the exact value in the camera RAW tab for both the URSA’s. Updates are valid for the original Blackmagic URSA Mini Pro G1 only; it’s always nice to see camera manufacturers keeping older camera bodies up to date. The 2, 4 and 6 stop filters have been specifically designed to match the colorimetry and color science of the camera, providing you with additional latitude, even under harsh lighting conditions. As a result the G2 is actually very mobile to use, with much of the final weight and balance being determined by your lens and battery selection. Last year when we tested the predecessor to the current G2, the UMP 4.6k G1 in ProRes and BRAW, we (back then) got the second-highest dynamic range result ever: 12.5 stops in ProRes, 12.6 stops for BRAW (for a signal to noise ratio of 2). URSA Mini Pro 4.6K G2 vs. G1 Dynamic Range and Latitude Test. URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. A few months ago, Blackmagic Design unveiled the successor to the URSA Mini Pro, the conveniently named URSA Mini Pro G2. Blackmagic URSA Mini Pro – Real World Video Samples and First Impressions. The URSA Mini Pro 4.6K and the C200 both have a Super 35 image sensor, shoot on to both SD and CFast 2.0 cards and offer a type of RAW shooting along with another codec. Vitaliy_Kiselev March 2017. The Ursa Mini Pro 4.6K G2 continues Blackmagic Design's trend of making powerful but approachable cinema cameras for indie and low-budget productions. The G1 starts to become pinkish, whereas the G2 becomes more and more greenish the more you underexpose. Passionate shooter who isn't doing this for a living. Now, let’s push the massively underexposed UMP G2 image back to zero. Now, there is a little issue with BRAW and our standardized testing workflow, as we usually try to avoid any 3rd party software when extracting keyframes for our IMATEST analysis (other than ffmpeg) to avoid any kind of manipulation/influence of this software to the image. URSA Mini Pro 4.6K G2 is available now for $5,995 from Blackmagic Design resellers worldwide. Latitude, not to be confused with dynamic range, is the capability of a camera to retain color and detail when over- or underexposing the image. Given the all metal body construction and solidity of the whole thing, that's quite an achievement. USB-C 10. URSA Mini Pro 4.6K G2 also features a high visibility status screen that displays important information such as timecode, shutter and lens settings, battery, recording status, and audio levels. We compare footage from the Ursa Mini 4K against the the GH5. The firmware version was 6.4. ... URSA Mini Pro 4.6K is available now for $5,995 from Blackmagic Design resellers worldwide. MUSIC: "Lost" by Brodacious Check his stuff out, he's awesome! You can also view it as the margin a camera allows for exposure error. +1. Added slider and 1/3rd stop increments when adjusting ISO. As can be seen, the noise floor looks quite clean, hinting at some form of noise reduction. This lets you use different combinations of aperture and shutter angle to achieve … Fascinated by the new possibilities with small cameras. Accessory 12V Power 8. What are your experiences? Lastly, when the URSA Viewfinder is included, they both cost the same price. As our intention is to test the untouched files straight off the camera, we are not processing the BRAW files further, hence we will use the ProRes result instead. Latitude test setup with the URSA Mini Pro G1, G2, and the Panasonic S1 which we tested in the same run as well (you can directly compare the results to the URSA Mini’s by clicking here). Read on…. Lenses. Curious to see the results? Cut my teeth on the Panasonic GH series, always looking to keep the gear as small as possible on my travels through the world, where I am telling cinematic stories as a hobby. So, is the new G2 going to set a new standard in our lab? AbdoulUK. URSA Mini Pro 4.6K G2 with PL Mount. First week with my Ursa Mini Pro 4.6k G2. URSA Mini Pro 4.6K G1 and G2 cameras topic. For now, we rate the URSA Mini Pro G2 4.6K with a dynamic range of 12.6 stops at a signal to noise ratio of 2 (as its predecessor, the UMP 4.6K). At ISO800 the UMP 4.6K G2 comes in with a strong 12.6 stops of dynamic range at a signal to noise ratio of 2 according to our IMATEST analysis (13.5 stops at a signal to noise ratio of 1). In general, we can say that both cams start to show vertical stripes in the image, which become problematic at 3 stops of underexposure. The interchangeable lens mount lets you use high quality photo, cinema and broadcast lenses from manufacturers such as Canon, Zeiss, Arri, Cooke, Schneider and more. Now, let’s look at the UMP G1 side by side to the new G2. However it was supplied with an Anton Bauer Cine 90, and … At the cusp of being usable, unfortunately, because of the vertical stripes. For this test, we set up our cameras at the cinema5D studio as depicted above. Overall I have to say that the URSA mini has kinda a warmer look. The G2 is just a little bit brighter and a little bit darker in the shadows. The newcomer shares most of the same specs available on the previous version with a couple of notable improvements. A revamped sensor has a new extended ISO of 3200, and frame rate options now extend to 300 fps in HD Blackmagic RAW, 240 fps in 2K and HD ProRes, 150 fps in UHD Blackmagic RAW, and 120 fps in 4.6K Blackmagic RAW and UHD ProRes. “URSA Mini Pro 4.6K G2 is a more powerful second generation camera with entirely new electronics and a new high performance image sensor that lets you shoot crystal clear slow motion footage. The color checker in the image was used to set the base grade (using the respective tool in DaVinci Resolve) and deliberately, the same color grading settings were used on both cams to show differences (the G2 would have needed a higher tint value to begin with). Unusable, as the vertical stripes cannot be removed by noise reduction. Broadcast Lens Control … Canceled my order of G1+Free EVF for G2 because of readout and future support regarding FPGA or whatever Lego like internals for future software re-building and of course dead pixel remapping. After an initial quick test I have taken my time and reset and calibrated both cameras and made sure that they have the latest firmware. 60% luma value on the waveform, the white sheet of paper was around 65 on all three cameras. Of course, you can push around the BRAW files in post heavily – using noise reduction, for example, cleans up the lower stops nicely and highlight recovery would be another possibility to squeeze out even more dynamic range. Waveform plot of the XYLA21 stepchart URSA Mini Pro 4.6K G2 using ProRes XQ at ISO800. This is almost exactly the same result that I got with the previous generation UMP 4.6K in December, within 0.1 stops. A dedicated off-speed … The test was performed in June 2019 – so I have to apologize to you, our readers that I didn’t publish it earlier. Latitude test of the URSA Mini Pro 4.6K G2 versus G1. ... My Ursa Mini Pro G2 still with "Frame tearing" problem after firmware upgrade to V6.4. When the new URSA Mini Pro 4.6K G2 arrived at the cinema5D office this summer, we were quite curious to see if the lab results would show a difference as Blackmagic Design claims in their official press release that, “the second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor”. URSA Mini Pro 12K includes a PL mount and URSA Mini Pro G2 comes with an EF lens mount. You could add an adapter to the Komodo to make it compatible to another mount, or just use RF lenses natively. Everything was on preset, the only adjustments that I made were Temperature and Tint on the "correct" exposures which I then applied to all shots from the relevant camera. Francis Joseph D'Costa July 18, 2019 Blog No Comments. But what we learn from this test as well is that you have to be careful when shooting underexposed – the vertical stripes can easily ruin your image already at 3 stops under. The external body of the Blackmagic Design URSA Mini Pro 4.6K G2 (PL) is mostly unchanged in this update, but that doesn’t mean it’s an unsubstantial one. Blackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. IMATEST dynamic range result of the URSA Mini Pro 4.6K G2 using ProRes XQ at ISO800. 1. URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. From appearance to features quite a lot from one camera to the other is shared. 12G-SDI Out 4. I then matched the "correct" exposures to 122 in 8 bit and then matched all other shots to this without any further colour changes. It has a variety of codecs (and frame rates and sizes combinations) that make for a multitude of use-cases, while the C200 has only two options – Canon Raw Light and 8-bit H.264. Only thing that's slightly different is the sensor which now has HDR. As a first step, I analyzed the 4.6k ProRes XQ dynamic range. The best is to have both, if possible. But we know that on-paper specs are not everything, so let’s head down for the image comparison and let’s start with the picture … Exposure was set by using false colour to get the mid grey of a Kodak Grey Scale Plus to show green. The Komodo will need additional accessories. Shot around my home in Ocean Park, Washington. On both URSA’s (G1 with firmware 6.2 and G2 with firmware 6.4) we used the same Sigma 18-35mm f1.8 lens recording internal 4.6K BRAW constant bitrate 3:1. Francis Joseph D'Costa June 18, 2019 Blog No Comments. In general, as more and more raw capable cameras are hitting the market, we have to think about how we should test the raw modes. Not usable. 12G-SD In 6. Test procedureStarting with zero relative exposure, we set both URSAs to record, and successively reduced the exposure by increasing the shutter speed from 1/25th to 1/50th, then 1/100th , 1/200th then 1/500th and finally 1/1000th. Let us know in the comments below. The new URSA Mini Pro combines the best digital film technology with the most advanced broadcast features and ergonomics available, making it perfect for … URSA Mini Pro G2 vs RED Scarlet Dragon Side-by-Side Comparison. Both cams were allowed to warm up for 15mins, then a black shading (sensor calibration) was performed with the lens cap on. With BRAW this philosophy doesn’t work, as we have to use DaVinci Resolve to develop the files. Last year has seen the announcement of an unexpected camera, the second iteration of the Blackmagic URSA Mini Pro, the so-called G2. 3G-SDI Out 5. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, SHAPE Rigging Solution for the Sony FX6 Released, Blackmagic Design ATEM Mini and Camera Update Coming on Wednesday, Lomography Atoll 17mm F/2.8 Lens - Live on Kickstarter, SmallHD Focus Pro Limited Edition Now Available, Tilta BMPCC 4K/6K Display Modification Kit, Volta Cinema Top Handle Review - Elegant Way to Power Accessories, Aputure 60d and 60x Review – Compact & Focusable LED Fixtures. Resulting in 0, 1, 2, 3, 4 1/3, 5 1/3 stops of underexposure. Buy Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera featuring 4.6K Super 35 HDR CMOS Sensor, 4.6K up to 120 fps, 300 fps at 1080p, 15 Stops of Dynamic Range at 3200 ISO, USB-C Expansion Port for External Disks, Blackmagic RAW & ProRes 444/422 Support, Dual CFast 2.0 and SD Memory Card Slots, 12G-SDI Output, Timecode and REF Input, 2 XLR Audio Inputs with … Speaking of which, Blackmagic do not specify a power draw for the camera. The video was produced in Resolve in ACEScct and is in Rec709 colour space. Jump to 8:25 for stuff new to the G2 over the G1! URSA Mini Pro G2 vs BMPCC 4K In-Depth Side-by-Side Comparison. Also, spatial and temporal noise reduction was applied (3 frames temporal, threshold 30 and spatial threshold 15). We managed to put the UMP 4.6K G1 and G2 cameras quite close side by side. The same situation was found with the BMPCC4k when we initially tested it – also here, the ProRes files showed a higher DR than the RAW (CDNG in our tests). Ursa Min Pro G1 v G2 After an initial quick test I have taken my time and reset and calibrated both cameras and made sure that they have the latest firmware. Not the Ursa Mini Pro G1 which offered the same ND filters, audio, heat dissipation, and buttons now offered with the G2. The URSA Mini Pro G2 is clearly a camera designed to have mostly-everything in the box. Now, using ISO800 yielded 12.1 stops at a signal to noise ratio of 2 (13.2 stops for SNR = 1). Top. The G2 weighs in at 5.07lb (2.3kg) for the body, which is only just over that of a Sony FS7, and less than, say, a Sony PXW-500 ENG camcorder. Which is subjective of course, as we do not have a mathematical procedure behind it (like IMATEST for the DR measurements). URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera. The waveform plot below of the XYLA21 stepchart visually reveals about 12 stops above the noise floor. You might ask why 1/500th was used instead of 1/400th, well, the UMP’s don’t provide that shutter value – I should have used shutter angle instead. I really want to take a look at this comparison because I own a C200 and I really want to see what the RAW looks like on this compares to the URSA Mini Pro G2 to see how they compare because I’d love to buy a companion camera, and I need to decide if I should just buy … Again, not knocking this upgrade. 12V Main Power 9. Both cameras share the same camera body build with buttons found on the operator side of the camera. For all cameras this resulted in a starting point as follows: shutter 1/25, ISO 800 (640 for the Panasonic S1) f4.0 All cams were set to record UHD 25fps, both the UMP’s were recording 4.6K which was scaled in post-production to UHD. Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that. I just use Ursa Mini Pro g1, pocket4k Pocket6k (not all mine, we are a group of pro that share hardware). This was 1/2 stop less than my Minolta IV meter indicated. For now, we rate the URSA Mini Pro G2 4.6K with a dynamic range of 12.6 stops at a signal to noise ratio of 2 (as its predecessor, the UMP 4.6K). Quite interestingly, this is about half a stop lower than the result we got on the UMP 4.6K tests in December last year. You get a Super 35mm 4.6K sensor with 15 stops of dynamic range, built in optical ND filters, interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts, Blackmagic RAW and ProRes recording to … The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb/s, while the new 12K model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb/s. To be fair, the RF system hasn’t been … Also, we wanted to see how it fares in our latitude test versus the first generation URSA Mini Pro 4.6K G1. However, if you live in a country where replacements and/or refunds are easy to come by, then the Blackmagic Design URSA Mini Pro 4.6K G2 (B&H, Amazon) is definitely the first you should try. Key features: Digital film camera with 15 stops of dynamic range. Added ability to embed custom LUTs in Blackmagic RAW clips. The G2 behaves a tad better in my opinion but becomes greenish. Reference In / Timecode In 7. URSA Mini Pro 4.6K G2 at the zero studio setting, URSA Mini Pro 4.6K at 5 1/3 stops underexposure. They are of course large files! Updated this release to fix highlights issue. You get a Super 35mm 4.6K sensor with 15 stops of dynamic range, built in optical ND filters, interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts, Blackmagic RAW and ProRes recording to … This contradicts my earlier tests and shows how important total resets are! You can purchase additional EF, PL and F lens mounts separately, and even a B4 lens mount for URSA Mini Pro 4.6K G2. Also, back this summer we hadn’t established our rolling shutter test yet, so this value is, therefore, missing in our results. This was 1/2 stop less than my Minolta IV meter indicated. To … On paper, the URSA Mini Pro G2 has quite some advantages over the rival Canon C200. While it’s still fresh, I thought I would share some of my first impressions here on the blog. Needless to say camera is unusable. URSA Mini Pro 4.6K G2 5 1/3 underexposed image pushed back to zero. The BRAW files are available here. If you need of all spec of of Ursa Mini Pro you must buy so much tool that pockets not are not less expansive than ursa. It seems that BLACKMAGIC decided for BRAW on the G2 to leave the image relatively untouched (whereas in ProRes a slight internal noise reduction seems to be present in the files – this is also the case for the BRAW UMP 4.6K files from last year). But wait, there’s more — they also both offer ND filters, and they both have external controls for on-the-go shooting. The body is … +2 Hence, when testing dynamic range we basically set a threshold for acceptable noise (the signal to noise ratio of 2) whereas for latitude tests we judge how well a camera retains the colors and overall image quality. Different beast, Ursa Mini Pro is for some kind of work, pockets for others. 3.5mm Headphone 3. ... New software update for G1. The URSA Mini Pro G2 is the same as the URSA Mini Pro G1 in many ways. Both cameras feature the same sized sensor. The Red Komodo has a Canon RF mount. Read on for our results – also, please have a look at how we test dynamic range here. 12 stops can be identified above the noise floor. As far as I’m concerned, considering the specific issues I face, I would pick the Canon C200 ( B&H , Amazon ). Added common off-speed frame rate options above slider. © 2021 All rights reserved. URSA Mini Pro 4.6K G2 comes … See our article from December 2018 here. I always like to use any camera in the field before I do any sort of … Next time. Re: Ursa Mini 4.6k vs Ursa Mini Pro Wed Sep 05, 2018 12:43 am +1 to everything, but another couple huge perks for the Pro are the irnd internally (even if not using internal ND, still makes other ND significantly better,) Bluetooth, which hasn't helped me too much specifically but for crane or studio work I could imagine it being very useful, and also SD card inputs. Latitude, not to be confused with dynamic range, is the capability of a camera to retain color and detail when over- or underexposing the image. But, better late than never. Installation notes and further info can be ... Hands-On Video. I’ll keep this short and sweet, as this is day one and I have not yet shot with the camera. Before the dynamic range test, I let the UMP G2 warm-up for 15 minutes and then performed the “black shading” sensor calibration with the lens cap on. Because they are so similar, we … URSA MINI PRO G2; RESOLUTION: 5120 x 2700 SENSOR SIZE: 25.6mm x 13.5mm DYNAMIC RANGE: 16.5 stops (According to RED) LENS MOUNT: EF or PL (+ more) NO ND FILTERS HIGH FRAME RATES: 5k 50 fps, 4k 120fps 11:1 FORMATS: R3D + Pro Res (422 standard in 4k, 422HQ in 2k) RECORDING MEDIA: Red Mini Mags (expensive) RESOLUTION: 4608 x 2592 SENSOR SIZE: 25.34 x 14.25mm DYNAMIC … The saturation of red, yellow and green is much improved in the G2. The status display features a backlight and is designed to be clearly visible in both dimly lit studios and outside in direct sunlight. To give you an idea of how underexposed the images were, see below two images from the setup from the URSA G2 – the first one at zero settings, the second one at 5 1/3 stops underexposed.
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